Hey, I merely pointed out *how* they're using 120Hz panels, okay?
Doesn't mean I endorse it.
The thing to keep in mind about those "artificial pixels" that 120Hz nay-sayers always fallback on is that the 120 Hz issue isn't about *what* gets displayed but about *how* it gets displayed.
Remember, LCDs are by nature a *static* display technology; the image that gets displayed stays up, at full brightness, until it is replaced by a new image. Most people grew up with crts which are dynamic displays and rely on persistence of vision to maintain the image. 120Hz is a way for displays to "better" manage the transition between movie frames. Which is where interpolated and blank frames come in; blanking the screen results in a blinking display that feels more "natural" to people accustomed to crts and lets the eyeball-brain system do the interpolation. It does its best work with 60Hz content. Again, the intent isn't to "improve" the content; just to better manage how the viewer perceives the content.
Its really a human-factors thing; we're not perfect little image sensors.
The repeat frame approach achieves a different end result. There the intent is simply to take an incoming p24 signal and display it naturally with a minimum of processing. Normally, a 60Hz display, if fed a 24Hz signal has to run a frame-rate conversion called 2:3 telecine to turn the 24 incoming frames into 60 frames.
Telecine - Wikipedia, the free encyclopedia
By going with a repeat-frame approach, the display can skip the telecine and give a "purer" image. Or, the repeat frames can be replaced with calculated frames intended to manage viewer perception, as above.
This telecine process and its inverse is the reason a *well-implemented* 1080i/60 data stream is 100% identical to a 1080p/24 data stream. A good movie player device (DVD, BD, whatever) will transmit *exactly* the same data via 1080i/60 as via 1080p24. Of course, that requires *quality* processing on both ends. Going with 24p output and 120Hz displays can skip the telecine processing altogether...
So, as you can see, there *is* a rationale for 120Hz displays. The problem is that, not only are viewers not perfect viewing sensors, we're imperfect in many different ways and to different degrees.
Ergo, "beauty is in the eye of the beholder"; there really is not golden standard for perception.
And that is why, in the real-world, 120Hz doesn't make much of a difference in image quality beyond, maybe, a placebo effect; anybody getting those high-end displays likely is connecting them to quality gear that does telecine well.
None of which explains how somebody, this side of The Flash, could see worse quality with 120Hz...
